Erik Johansson takes Fotografiska to Places Beyond
Erik Johansson
Places Beyond
6 December-1 March Fotografiska Stockholm
Managing to create places that challenge both reality and your imagination – that is what artist and photographer Erik Johansson does. His skilfully composed, surrealistic photographs invite the viewer to an exciting journey to fantacy. One where each detail is carved out to take you beyond reality, to the stories of the surreal reality. The stories that, among other things, are meant to make you reflect on what we are doing to the planet. Now opening Places Beyond at Fotografiska Stockholm.
A beloved and playful artist and photographer is back at Fotografiska Stockholm, and in connection with the opening of the exhibition Places Beyond, his second photo-book with the same titel is released by the publishing house Max Ström. Erik Johansson is the wizard that, with equal amounts technical skill, curiosity, and boundless imagination, manages to conjure up worlds that at first feel familiar to us, until we realise that they are not familiar at all.
Photo:© Erik Johansson, Full Moon Service
“Even if the worlds I create often are impossible, I want it to seem like they could exist. Realism is an important ingredient in my image-making. I always prefer to shoot as much as possible on site, in the environment where it's meant to take place, rather than in a studio, and then combine it later”, Erik Johansson says.
He constantly plays with our experience of reality, and through surreal absurdity and humour, he takes the viewer on a journey of imagination, to places that feel familiar regardless your own roots: places that you, once you've set your focus, realise have very little to do with reality, specifically. The starting point is often “but what if...?!”. What if there was someone who made sure to keep the moon in its best, shimmering state – what would that look like? And what about the person whose job it is the flip the switch on night and day: they must surely keep an eye on their watch to see when it is time to change? Or the man that steps out of his canoe and sees that the lake behind him has cracked like a mirror in the wake of his canoeing, and wonders “how did this happen, was it my fault?”.
“Stories and scenes kind of pop up. I see them constantly around me, and love to explore them. I become more and more interested in telling these stories, in surprising the viewer and making them think, for example about what we are doing to our dear planet”, Erik Johansson says.
Photo: © Erik Johansson, Demand and Supply
It's important to know that Johansson himself photographs all parts of the image and then puts them together into a finished work, using his unique style. They are works with universal qualities, created out of an incredible attention to detail, that reach into the viewer regardless of age, culture or gender. Young or old doesn't matter – everyone can see the cleverness and imagination in his images.
Photo: © Erik Johansson, Give Me Time
“Erik Johansson is like a Magritte of photography, that with his photographic canvas makes us amazed, makes us laugh, and makes us want to step straight into his world. An image-magician. A realist. A photography-craftsman that weaves the absurd into the everyday of our contemporary world. With visual roots that manage to unite across country borders, his photography has gained recognition around the world. In Places Beyond, Johansson's biggest exhibition so far, he continues to challenge the limits of imagination and search for the places beyond”, says Lisa Hydén, exhibition manager at Fotografiska Stockholm.
Photo: © Erik Johansson, Cut and Fold
That he, apart from his photographic talent, also has been granted mathematical abilities is evident. To be able to create illusions that so convincingly trick the eye, extremely careful preparations are needed, both when it comes to perspective and to the physical properties of the objects. He has to calculate distances and perspective precisely to make the combining of different environments feel realistic. Light and focal length also plays an important role.
Photo: © Erik Johansson, The Architect
“To create a perspective-illusion like the one in The Architect, all perspective lines need to be parallel, and not converge into one point – that is how the double perspective is created. And it's not possible to capture with the camera alone, it takes a lot of conscious post-processing to get it exactly right.”
The technique of creating images by combining photographs that he's taken in many different places is something that Johansson has developed over several years and feels comfortable with. But he is constantly moving forward in his exploration of absurdist expression.
Photo: © Erik Johansson, Above All
“The big challenge now is to take the process one step further in the creation of this surreal reality, and have more elements interact directly in the same place. It triggers me to build scenes that really pique the imagination. And I notice that the more I move internationally, the more I look back to my own home environment: an environment that seems to titillate and to awake associations in not just myself, but many others.”
Footnote: The press pictures is not allowed to be cropped, just for press publishing during and till the end of the exhibition period at Fotografiska.
Margita Ingwall
Head of PR
+46(0)70-456 14 61
margita.ingwall@fotografiska.se
Facts about Fotografiska: Fotografiska Stockholm is not only the world’s most esteemed museum dedicated to the world of photography. The concept also contains an internationally awarded restaurant elected “the Museum Restaurant of the Year 2017”, as well as inspiring event spaces, an acclaimed academy and a shop featuring an extensive selection of photographic books.
With a great network of world-class photographers at the core, Fotografiska Stockholm has since the opening hosted 200 exhibitions, including the work of iconic masters such as Annie Leibovitz, David LaChapelle, Irving Penn, Helmut Newton, Sarah Moon, Nick Brandt and Andres Serrano, as well as up-and-coming young photographers.
By taking a stand in controversial issues and stretching their responsibility far beyond the realm of traditional art institutions, Fotografiska has a history of acting as an influencer, playing an active role in the Swedish society.
The purpose is simple, to use the power of photography to unite, spread awareness and create positive impact.
To inspire a more conscious world.
Initially opened in Stockholm in 2010 the Fotografiska family is now growing and have expanded to Telliskivi Creative City in Tallinn and soon Park Avenue in New York. Taking on these prime locations Fotografiska aims to redefine the traditional museum experience by creating urban meeting places where global citizens are invited to dwell, get inspired, question the taken-for-granted and grow as individuals.
