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We believe that producing powerful media and art that gives people hope is imperative. Hope is empowerment. Hope is a solution. Hope is a game changer. SeaLegacy has developed a powerful, expedition-driven impact model that triggers global support for sustainable ocean solutions. And we manage to activate a million-strong community to act on the crisis and the opportunities to make a difference: To turn the tide,
Photojournalist Cristina Mittermeier, founder of SeaLegacy together with Paul Nicklen
We depend on healthy oceans to survive. In order to save the oceans we need to team up and act – and to act we need to be inspired and hopeful for positive change. Sea Legacy’s images have the ability to evoke emotions, and with emotional images effective campaigns can be realised. The title of the exhibition is a call to arms – a rally for all us to work together to turn the tide. For us, this Fotografiska For Lifeexhibition is a source of great pride in being able to contribute to this essential issue facing our future
Johan Vikner, Fotografiska’s Exhibition Manager
We want to use this Fotografiska For Life exhibition to spotlight an issue that has a profound impact on people's lives, a crisis that must be taken seriously since its consequences are so severe and sweeping. For both the concerned individuals and society as a whole. A roof over your head – the face of the housing crisis will be exhibited on Fotografiska's façade, as well as on Gotland during Almedalen Week, to encourage debate. This is exactly what our Fotografiska For Life exhibitions are all about.
Johan Vikner, Exhibition Manager at Fotografiska
The exhibition introduces us to, for example, a family with three children with not quite twenty square metres between them for living, eating and sleeping. They've been living in a student apartment for almost ten years, having been unable to find any other alternative. The room is furnished with two sofa beds, a small table and a TV. The hallway has a toilet, a shower and a small kitchenette. The eldest son, who is seven years old, told me that it's hard to concentrate when doing his homework as there are so many people at home. The entire family are forced to eat dinner with their plates on their laps as they have no kitchen table.
Photographer Stefan Bladh, one of the founders of Civilian Act.
Despite holding down permanent jobs, many people have trouble finding a home of their own, which means countless young adults are forced to live with their parents. I have a permanent position at a school, but still lives at home with my mum. This three-bedroom apartment in Skarpnäck is also home to my two brothers and my mum's partner. I have been in the housing queue for several years, but it'll be many more before i'll be eligible for an apartment. The hardest part is having no privacy and having to accommodate four other people in everything you do. Most of my friends are facing the same situation.
Kamilla, 24 years, Skarpnäck/Stockholm
I pay five thousand Swedish crowns a month, under the table, for a bed in a dormitory shared with ten other people. Several of them are new arrivals in Sweden, and they pay at least double that. It's good business for the owners, and we're allowed to stay as long as we like. There have been problems with bed bugs, however, and the ventilation is very poor, but what choice do I have?
Åke is 64 years old and a qualified French and English secondary school teacher. He's been homeless for three years now and has been fervently looking for an apartment all that time. With no other alternative, he's been living in a hostel in central Stockholm.
“I am driven by enormous interest in my fellow human beings, who I study constantly. My works consist of many layers. On the surface this is harmonious but there are elements, often absurd, which cause friction, which means the image is sometimes perceived as being unpleasant,”
Evelyn Bencicova
She creates eerie compositions where models are placed in mysterious environments surrounded by characteristic, cool colours. Her distinctive style has been recognised by a number of international clients such as Gucci and Cartier, as well as institutions such as Berghain, Kunsthalle Basel, The Slovak National Theatre and Ballet and the MuseumsQuartier in Vienna.
Johan Vikner, Exhibition Manager Fotografiska
“The feeling of intimacy and observing people and striving for the intensity of characters evolved into why I’m obsessed with taking pictures
Mary McCartney
“I think you just feel instinctively, you got to just click on the moment. Not before it and not after it. I think if you are worried about light meters and all that stuff, you just miss it. For me it just came from my inners, as they say. Just excitement, I love it - I get very excited.”
Linda McCartney
" Marie Hald is so skilled that I consider it an honour, and the fact is I see her as a rewarding interlocutor, rather than it being a classic mentorship"
Paul Hansen, world famous price winning photograph and mentor
"It was among other things, Marie's unique imagery with its melancholic and calm expression that caught the attention of the jury. In a close and personal way, she explores social problems and the impact of society on us in general, and women in particular”.
The Jury about Marie Hald, being The Young Nordic Photographer of The Year 2018
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